The Elves were proud when conquering
They came across the sea
So long of life! So fair of limb!
They laughed so merrily
When they called us less than living,
Brief and brainless, born to die
Just the fodder for the fire
In a brighter Elvish eye.
The Goblins came in columns, cast
Of shot and brass and steam
And their shake-you-break-you engines
Left us dust and smithereens,
Each a number less than living
Brief and brainless, born to die:
The bloody hands and broken
To the Minds that Artify.
But the dawn comes all-a-sudden,
And a sword in every hand
And we’ll scalpel out the stubborn
Make them zombies where they stand!
Leave them truly less than living
Brief and brainless, born to die
To fertilise the poppy fields
The rosemary and rye.
A loyal steed, a silver sword, a light to limn my brow
I left behind: betrayed, and bent, and gone.
Cast from the precipice, book, bell and gown
And rode, red-handed, with the dogs of war.
By moonless night I trod, a murderer.
Buried my sin unsaid, unsalved, ungrieved.
Broke faith: I burned its sons who still believed
And shut away the screams until they ceased.
Ahead of hosts I marched, and desolate
My hoof and boot and belly left the land.
Save scarce oases. Green stains on the sand
Where bone and basalt rise in parapets.
What horse’s tongue has touched my tainted skin?
Why do I dream of silver in my hand?
Why do I wake with sunlight on my brow?
Moon in the sky unmoving
Ice on the barren plain
Three thousand miles from hearth to hearth,
If any still remain
Roses as red as a heartbeat,
Tulips, as deep as wine
Forget-me-nots, those eyes that smiled!
But none of these are thine.
Golden, the glint of the morning,
Diamonds, our lives at last,
A moon, pearl-fished from the ocean,
For none of these I ask.
Bees about ’round the pumpkin,
Tomatoes climbing the corn,
You and I, in the garden
And parsley, left on the lawn.
How, in a hundred words, to sing their praise?
The force who face the plague from pole to pole
Who make our broken dreams a future, whole
Who free the lives the virus locked away.
How can I count their millions? Mending hands
That twice and more will take us by the arm
And teach our lungs to breathe, our blood to calm
To know, and scorn the pathogen’s commands.
How, summarise the fifteen billion acts
That finally cut the curve. The work, the woe
The hope and sacrifice behind the facts;
Between “vaccine” and “we are free to go”.
Leave history lab and leader, clown and crown.
When we are saved, it happens town by town.
Ensure your mask is tight upon your face
Before you save: a kitten up a tree,
A city’s soul. The heroes go to waste
Who bear a heart too bold; who breathe too free.
Not for your racing heart, your rushing breath
Upon the precipice; but for the weary hands,
That knit, and nurse a fire at the hearth
And bear the weight of woe when it comes home.
Nor let your care relax when once alone:
With bleach and soda clean what crossed your mouth,
Stomach a kind and cleansing sustenance
And sleep with mask and costume close at hand.
The rampage runs, unchallengéd, uncowed.
Nothing but facelessness can save us now.
A star, on the tallest tower
Raised by the citizens’ pride
In the heart, and the arm, and the shoulder
That waits against need in the sky
A lab, in the lowest of basements
From the scum of the sewers to raise
A lance, for the bubble of courage;
A lens, for the gorgonous gaze.
A night when the sky is a-thunder.
Find, midst the mud and the rain
A face, with a breath and a pulse
To carry the glass and the glaive.
Climb, when the hour is darkest
Crouch at the zenith, alone.
Leap. Hope. Lash out; and die falling
Lost in the city of stone.
Window dark; upon the night-stand
A clock shows five a.m.
The sleeper rolling over.
A snore is heard again.
A whistle at the station
The pinkish glow of dawn.
A roar of train-set engines
The six-fifteen has gone.
A yawn. A stretch. Awoken
By sun-beams bright and broad
A swear-word from a bedroom.
Seven — and not aboard!
A scramble through the smartphone
For bus and car instead
And haste for 8 o’clock tonight,
Three hundred K’s ahead.
With apologies to Henry Lawson
This post follows a writing-group discussion about stories with several parallel protagonists. Epic fantasy examples were easy; then we wondered about other genres.
I found a few on my bookshelf, someone asked for a list, and somehow I’ve ended up writing an analysis. This took longer than I planned, so I’ve only covered a couple of examples for now:
I’ve just finished reading Floating Worlds, by Cecilia Holland. The novel follows an anarchist, Paula Mendoza, negotiating a peace treaty with what are basically “space orcs”.
There were a few things that really impressed me about this book.